The portrait of Tibor Huszár is unique due to the chosen visual concept that is complemented, in addition to the traditional conventional cameras, also by the mini camera, GOPRO, and the experimental low-cost camera, LOMOKINO (an art camera capable of recording onto a classic 35 mm photographic film), through which the creators look into the process of image creation. The observational form of the scrutinisation of photographed objects is accompanied by an authorial view in Huszár’s commentary on the creation of particular moments, captured simultaneously by him on the camera and by the film-makers on the video-camera. As a result, the thus filmed mise-en-scène is as if it stopped and is overlaid with a photo by Tibor Huszár, whilst the photographer, in the commentary, makes the process of creation, of capturing this moment, or the idea standing behind the image, clear. On the other hand, the film offers a number of unexpected moments and does not even avoid the controversial areas from the creation by the photographer.
